Jewels in the Claw (iii)

Continued from Part Two

The man with the packing case pauses as he passes the place that was the East, the place from which the Queen began her direction of proceedings in this, her favourite palace of Nonsuch, in 1590’s South London.

There is little left of the ritual-drama space now. Just the mental image of the chequered floor that was the Royal Court and the seats around it. But the square framework still contains that magical feeling of somewhere that has been declared and established as a place of working…

Ritual is a frightening word to some: pop-fiction has seen to that. To others, whose focus is beyond the egoic, it means a created place of loving and intelligent energy, self-discipline and intent – an intent focussed on the common good and the creation of a space in which collective work on the self – on each self, may take place. When this intent is sustained over a weekend, in a five-act drama with deep characterisation, the effects are electric…

There have to be catalysts, the man thinks, smiling and eyeing the top two chairs of the rows of five in the South and North. Some got it straight away, others saw it a little later…

Either side of the Queen, but not on the threefold Royal Dais, there were two characters that could not be seen… well, not initially. And, here, there are two realities which dovetail – for the sake of the story, but also because creation does that; presents different perspectives according to our ability to understand.

Christopher Marlowe understood; saw what his friend William Shakespeare had created, saw the two levels, if not the third, for life must enter its creation to be truly fulfilled… and understood, immediately, that the fearsome and painted Count Mortido and his lady, Countess Libido, were bigger than the play, and yet involved with it, like the highly coloured threads in a Persian rug, woven into the whole, yet capable of being ‘read’ individually if one knew how to follow the weave and see why it was laid down the way it had to be.

Marlowe knew that of the five chairs in the South and North, only four on each side were seen…

His smile – he, the man with the blue packing case – becomes the living stage once more, and the minds of twenty others remember, perhaps wistfully, as they pack to leave the little village of Great Hucklow, where remarkable things happen…

Unseen by most, the Count and Countess walk from South and North to meet across the Court Floor and let their loving hands link, then they step apart and to the West, away from where the Queen will be… but is not yet.

As they descend from the East, the place of power, Mortido, the Lord of Change and therefore Death, and his sister-wife, Libido, Count and Countess, loosen their grip on each other, no-one except possibly Marlowe and a woman waiting in the wings sees the sadness of this. Soon the figures of Death and Life are stationed at the far corners in the West – the place of emotion, water and the setting sun. There, they form a portal, glaring at the players as each is called by Marlowe… until the Queen raises her head from the shadows and takes the power from Marlowe, crossing into the court unmarked by the Lord and Lady of Death and Life; for Queens have deep power too, as have all marked out willingly or otherwise to serve the purpose of evolution in its slow spiral of civilisation.

The Queen crosses the floor alone, followed, as we have seen, by Frances Walsingham and Robert Cecil, the twin children of greatness.

But the Count of Death and his Lady are not finished with their opening… their nature is, inevitably, to dabble in mankind’s doings. No sooner do they see the plight of the reversed Dr Dee and the reluctant Jesuit Gerard than they are on their feet, suspending ordinary time with their great call, “Let the mists descend…”

In the time beyond human perception, they again descend the Court Floor, now filled with royal power and intent, and break into the sleep of the victims, raising them and reversing their chairs so that both face East, as they should.

Some might say the Queen is distracted by other concerns, others that the Count and Countess threw fairy dust over her as they established their power over the proceedings – even in the face of Royal presence.

This may get complicated…. but only necessarily so. Meanwhile, Dr Dee, former astrologer to the Queen, and John Gerard, the most hunted man in England, now face the East, the quarter of power, and both tremble at their presence in this, the most dangerous place they could be – facing it.

 

Other parts of this story:

One   Two


Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit organisation that helps people find the reality and essence of their existence via home-based, practical courses which are low-cost and personally supervised.

His personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

You’ll find friends, poetry, literature and photography there…and some great guest posts on related topics.

©Stephen Tanham

An Orcadian Diary (1) Silent Guns

It ends beneath the ground; it always does. The bones of soldiers buried in fine ceremony, though the organic memory passed long before the corpse was glorified. Collective kindness crumpled by division in the face of another despot whipping up the many faces of our unhappiness.

But, perhaps, not always…

His name is Johnny Claude. He’s ninety-eight years old – the oldest man on Orkney who was born there.

The Historic Scotland guide for the Battery at Hackness, on the Orkney island of Hoy, had just talked us through the old man’s extraordinary life when his subject crossed the Battery courtyard behind us faster than anyone that old should be able to do… Glimpsing his movement, I turned, my camera phone poised, and caught the guide’s eye: yes, that’s him; take it quick, he doesn’t linger.

He had a stick, and used it with great skill. Somehow, it reminded me of the heroic artifice all around us: the Hackness Battery and the Martello Tower, with its state of the art gun – well, state of the art for 1812, the period when the fort was constructed on the strange and fascinating island of Hoy.

The mention of 1812 might have set you off humming Tchaikovsky’s overture of the same name, which, as we’ll see, is very apt.

The sea in front of the Hackness Battery might have triggered other associations of a military nature: Scapa Flow… though this part of it is known as Longhope Sound. One day in 1812, the guide says, there were over a hundred ships just off this stretch of coast. Every one of them seeking sanctuary; every one of them safe because of the presence of this naval battery and its ability to reach into space.

What reached into space was the presence of long-distance munitions: the kind of physics that blows apart large sailing ships. Graduating from the solid, spherical ‘shot’ shown above to the more complex spinning explosive ‘shells’ (in the box), the power of the impact became increasingly sophisticated as the years passed. Even in 1812, the heaviest of the shot – 24 lbs and very difficult to lift by hand – could be propelled over a mile with high accuracy from the battery. The gun at the top of the Martello tower was even deadlier. The additional forty feet of the tower allowed it to be more accurate and added a half mile to its range.

 

Johnny Claude has been here all of his life. Born in 1919 on Hoy, to a father who had bought part of the old Battery for the family home, he eventually enlisted and was based on Hoy in his late teens as part of the gunnery crew. His life had escaped the horrors of the First World War, but was imprinted by service, here, in the second. He never left.

Even his story was a hundred years after the rise of Orkney’s naval importance; something we find strange to understand now, when Orkney is seen as a place remote and ‘up-there’.

Up-there was one of the most important places in the ancient world because its open and deep waterways – like Scapa Flow – linked the North Sea with the Atlantic… and way beyond. In no other place could you gain so much distance simply by turning your ship. This story does not begin with the Napoleonic threat in 1812; it is the story of Orkney’s entire history. To begin to grasp it, you have to stand on one of the high places and look across the vastness of its waterways… They are also some of the deepest in the world.

The Battery at Hackness was established at the end of 1812, in response to the threat of naval invasion of Britain by Napoleon. We readily call to mind the threat from the Nazis during WW2, but, a hundred years prior, the French forces posed just as deadly a menace from closer at hand.

Napoleon dominated Europe, and was intent on starving Britain to its knees. The only surviving trade to the East was with the Scandinavian ports, who saw in Napoleon as big a threat as Britain did. Orkney sat at the crossroads of that lifeline of trade – and its protection was paramount.

The seaways of Scapa Flow are unique, and that Britain possessed them was vital to the country’s survival; something that continued right up to WW2, and carries on today with the fishing and submarine fleets. The two hundred ships sheltered in the sound off Hackness in 1812 were there for one reason only: the fort could protect them, and there was nothing Napoleon could do about it…

Beyond the Battery is the Martello Tower. Had a French frigate made it into Longhope Sound, its guns could have damaged the lower levels of the battery – though it would have taken great accuracy. But the Martello Tower, with its 24 pound gun and mile and a half range was indestructible, and one of most formidable defensive ‘machines’ ever constructed in the age before electronics.

The British forces did not invent it. Martello towers take their name from Martello Point in Corsica. In January 1794 two small cannon mounted on a coastal round tower beat off an attack by two British warships with a combined firepower of 106 guns. The navy learned from that, taking the basic design and commissioning the best engineering minds to refine the idea into an impregnable, if small, fortress.

The secret lay in its shape.

Photo of Historic Scotland’s information board

Seen in cross-section, from above, (lower right panel, above) it was oval in construction, with the sea-facing walls being a staggering 4.2 metres thick. The entrance was via an iron ladder to the second floor.

img_5780

The gun was on the roof, which also was shaped to be a giant rainwater collector that fed a basement tank, using a filtering system. It was thought the Martello towers might be besieged, so the gunners had to be self-sufficient.

img_5795

The gunpowder was stored in a carefully isolated chamber on the lower floor, reached from above, and entered only when wearing special clothing to prevent ferrous sparks.

The gun and its support structure on the roof had been designed very carefully. Such a powerful weapon had a strong recoil, throwing it sharply backwards when fired.

The mounting rails were angled upwards, behind the gun, absorbing the recoil energy as the gun climbed the gradient. At the end of the recoil, the gun locked itself in the elevated position, allowing easier re-loading of the shot or, later, explosive shells. The whole mechanism was mounted on a strong cast-iron ring set in granite which allowed it to be accurately aligned with its target. All of this was based on mechanical principles and the mathematics of the time. It was a masterpiece of defensive design.

Life in the Battery was primitive by today’s standards. But many, like Johnny Claude, served out their time here and even chose to stay on in Orkney.

Like his father, Johnny went on to marry a local girl and had several children. His father had purchased a section of the old Battery barracks in the 1920s, and Johnny inherited this for his own family. The photo shows him walking from the door of his lifetime home. His wife died some time ago, but this old figure is still wedded to this special part of Orkney.

There are many military graves on Hoy. The tall cross of the opening image marks the centre of an immaculately-kept combined services graveyard. But none of the graves contain the remains of those whose life was the Battery and Martello Tower.

It was never used in anger…

So potent was its fire, and so secure its design and position, that not even Napoleon dared risk an attack on Scapa Flow. Ultimately, it was an instrument of peace, not war. The fact that it was wholly defensive may say something about its effectiveness; and its longevity.

The presence of this very special old man of Hoy who holds so much of Orkney’s living memories is testimony to that.


Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit organisation that helps people find the reality and essence of their existence via home-based, practical courses which are low-cost and personally supervised.

His personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

You’ll find friends, poetry, literature and photography there…and some great guest posts on related topics.

©Stephen Tanham

Last of the Stoics…

Behind the scenes…

Sue’s lovely summary of what we do each Spring!

Sue Vincent's avatarThe Silent Eye

It is an odd thing to put on a workshop where ritual and drama are mixed. Odd, but old… theatre has its roots in the sacred drama of ancient times. Even the rituals of the Church have a theatrical element, blending light, song, the glamour of embroidered vestments and the fragrance of incense and oil. These things combine to capture the imagination and emotions, lifting the heart and mind above the humdrum cares of the world and turning them towards the greater Light of the spirit.

None of these dramatic elements are strictly necessary. Turning the mind and heart towards the divine, whether in prayer, adoration or meditation, needs no company. The spiritual journey is ultimately one we must take alone…and yet, we may have company along the way.

It is perfectly possible to access the spiritual realms without any help at all, just as it is perfectly possible to…

View original post 764 more words

Study Periods…

THE ANNUAL BLOGGERS BASH – STUFF YOU NEED TO KNOW

More than survival

Sue Vincent's avatarSue Vincent's Daily Echo

One of my all-time favourite fantasy cycles is the Chronicles of Thomas Covenant the Unbeliever by Stephen Donaldson. They were the first fantasy books I ever read other than the classics such as Tolkien, Lewis and Carroll. My grandfather sent me a copy of the first book in paperback when I was living in France, “You’ll like this. The cover says it all…”

Well, if it did,  I didn’t fancy it. Bear in mind the fantasy genre hadn’t come my way much back then and flicking through the first chapters the style didn’t appeal, the hero was an anti-hero and commits unspeakable acts. I didn’t care for the way the opening chapters were written and honestly, the only reason I persevered was because I had already read my way through all the English language books in the library in Vichy, including the ones in the storeroom. Reading in French…

View original post 1,030 more words

Rings of Sky and Earth

To find that time and circumstance

Had placed us in an isle of fertile space

Where others led us to a place

A ring wherein the sky and earth would quarter meet

There is no sense of wonder deeper

Than that of being ‘brought’ and left

To gaze as heavens’ hands caress the land and sea

And consciousness completes the longing three

Strange markers lined the way

As if to say: be sure; discretion is required

Before that letting go of owning self

Surrenders to the land of higher health

And then the ring of bright companions forms

Called, named and present

From far and distant lands

To be here, to be now, to be

Brought forth: the moment birthed

For which no words have face

Where vision sees the depth of beauty’s kiss

And all are silent, knowing touch of grace

A sharing cake and golden mead

A silent, spellbound walk along the road

A bus to catch-mundane but vital in the gathering cold!

No-one speaks… we are so lost in gold

©️Copyright Stephen Tanham

Images taken at Beltane, Ring of Brodgar, Orkney.

Stratford-Strange II…

Beltane…

Sue Vincent's avatarSue Vincent's Daily Echo

The ancient festival of Beltane has always been special to me. As I child, I was caught by its magic when my grandfather first read me the story of ‘Borrobil‘, where two children walk between the Beltane fires and are whisked away into a land of myth, magic and the obligatory dragon.

For years afterwards, every time the number seventy-seven bus passed the conical hill on the way to town, we would talk about Beltane. I learned its legends and traditions, and more than any other of the festivals of the turning of the year, this one is close to my heart, rooted, as it is, in fond memories.

Over the years, I have celebrated Beltane in many ways and in many places. I have danced around a Maypole, weaving the ribbons in the pattern of life. Joined a spiral dance in the streets of Oxford.  Seen…

View original post 183 more words

Jewels in the Claw (ii)

Continued from Part One

He stops in the act of dismantling – the raven directly in line with his left eye. Reluctantly, he climbs onto the chair to unhook the left panel of rubberised black fabric that contains the bird’s image. Then, smiling, he remembers the last minute decision to add the raven panels… such an important part of the Queen’s journey.

Somehow, it seems a sacrilege to take them down…

The stream of consciousness that now belongs to the twenty receivers of the told story opens. It is there, again… and alive…

There is a moment when all the power in the room passes from the artful Marlowe, who has lived up to his reputation for skirting the edge of acceptable Elizabethan behaviour, to the Queen. Her regal gaze, a generation older than many in the room, fixes him like a serpent.

“Elizabeth, Queen of England and Ireland…” The playwright bows, backing away and leaving the intricate space of the chequered Court Floor for the sovereign. She rises, the gold dress swirling around her.

Act One is about to begin in earnest. Shakespeare’s fading life-force had been enhanced by the wild and wonderful energies of Countess Libido, but that level of abstraction now seems far away.

It is 1590. The fearful Spanish Armada is two years vanquished, and Spain – even gold-rich Spain – cannot afford another. King Phillip will never recover from the defeat inflicted by the English captains. Secure beyond question on the right side of the Court, Sir Francis Drake smiles at the Queen’s taking of the power in the chamber; smiles at the esteem in which he, also, is held; smiles at the name given to him by the Spanish crown: El Draco; Dragon of the Seas.

Time passes very slowly as the golden Queen steps onto the black and white tiles. Then the music begins. Climbing and diving, the Elizabethan orchestra weaves a story told in harmony, matching her naval victory with the inevitability of personal sadness inflicted by age. She crosses the squares wrapped in a tapestry of sound that matches her reign, and is seated at her throne in the East.

Frances Walsingham and Robert Cecil join her, right and left. Walsingham the daughter of the Queen’s fearsome spymaster, Francis. Cecil the deformed son of Lord Burghley, William Cecil, replacing his father in what many see as a staged act of political sacrifice to placate the public view of the death of the Scottish Queen Mary.

“What happens when a queen kills a queen?” she will ask, later. Her mind filled with dread, as one of her most trusted subjects turns rogue; the natural chain of Being seemingly threatened on all fronts…

The two children of illustrious parents suit her purpose, here. The other people in the room – lords, gentry and common folk – will assume that all on the royal dais understand the nature of this chamber of transformation. The Queen’s eyes flash, knowing that is not the case. All but she are ignorant of what must take place. All are to be subject to the process.

The Elizabethan realm is secure; now it must be made robust in a way that will embrace the future, not merely arm against it… Spain, deadly Spain – agent of the excommunication of Elizabeth – is a spent force. She is not stupid enough to think that God is on her side. Neither is she naive in knowing that the vast forces of nature were with her as the storms wrecked the plans of the Armada’s commanders. There is a middle ground in which intelligence and skill conspire to protect the oppressed. Small no more, England stands on the brink of a new age.

The Queen looks to her right, taking in the demure but watchful eyes of Lady Rab’ya Anouri, royal wife of the Moroccan ambassador to London. No-one but the sovereign knows her. All must wonder why the gathering includes this Saracen woman, with her strange, flowing robes of orange and white – clearly the child of a different God.

“Be welcome and be seated.”

It is time to stoke the fire… the fire of transformation.

“In here, there will be a Death and a Birth… and a journey between. Let us complete our preparations… Sir Walter Raleigh is waiting in the antechamber. Sir Walter, enter…”

The South and North are complete. Marlowe did that, well. Just enough mischief, swept aside by the royal presence; cowed but smiling: as she likes her playwrights to be. The East now holds all the power she requires, though those within it do not yet realise their capabilities. They are young. The few days here will teach them much about its wielding.

The West… place of entrance and departure, home of the tide of fortune and grace that will ebb and flow in this chamber as each plays their part. Anger, she thinks, time to show how much anger bubbles beneath this calm surface…

“Sir Walter, escort your companions to the chairs that have been prepared for them in the West.”

Moments later it is done. She can hear the silence of outrage, can feel the dread in the room at what has just occurred. Sir Walter Raleigh stands facing her, calm and measured… just as she needs him to be for all of what will follow. But not even he knows…

At his right sits a Jesuit priest, the most hunted man in England. In the heartbeat that follows their entry, she can feel the tension in the body of Robert Cecil, her Secretary. She can read how his eyes are bleeding with disbelief at what has unfolded, so soon in this meeting of sovereign and subjects.

At Raleigh’s left sits the husband of the downcast woman near the end of the Northern line of chairs. John Dee, former Alchemist and Astrologer to the Queen has returned from a fool’s errand to England and this Court.

Both sit in chairs that have been turned away from the royal gaze… The visual exile is deafening.

At the front of the Royal Court, unseen, all three of the ravens are watching….

Other parts of this story:

One


Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit organisation that helps people find the reality and essence of their existence via home-based, practical courses which are low-cost and personally supervised.

His personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

You’ll find friends, poetry, literature and photography there…and some great guest posts on related topics.

©Stephen Tanham

+

Seeds of Change

Sue’s photographic tour of the Jewel in the Claw.

Sue Vincent's avatarThe Silent Eye

‘Dr Dee’, ‘Her Majesty, Queen Elizabeth I’, ‘Sir Walter Raleigh’ and ‘Master Shakespeare’

Time does strange things. It is just a week since our workshop and already it feels as if it is receding into the mists, and yet, it is also as clear and sharp as if we were about to enter the temple space for another act. In many ways, that last is the truest perception, for, even though we draw our inspiration from tales of bygone eras, any seeds we sow within the ritual drama of the weekend are designed to grow slowly within us and be taken out into the world.

Such seeds are not ours alone. We may plant ideas and nurture thought, but it is in the fertile soil of love and friendship, and the shared experience of working together with a common intent, that such things blossom. Even so, it is only when…

View original post 497 more words