#ShortWrytz – short pieces inspired by photos I’ve taken

Since I was a child, I’ve been fascinated by the way the autumn darkness conveys a deeper sense of empathy than the late summer it leaves behind…

What I mean is (for example in the picture above) the quietness that wraps – envelopes – two people when they gather under a seaside lamp awaiting the arrival (via spouses) of their fish and chips, following a drive through the Blackpool illuminations… something usually frantic, but in this case, surprisingly quiet and peaceful.

The rain on the windscreens of the two cars might be a clue to the evening’s quietness, but it’s only part of it. It is as though those captured in the scene have slipped into a different space and time.

There’s a creative silence because the moment is unexpected. There is no pressure, just a moment in being when wonderful and subtle things happen. They’re not meant to be overheard: what’s happening is quietly – though not secretly – private… The photographer is allowed, though… at least if he or she has the subtlety to be part of the scene and not outside it. That’s an emotional thing, I’ve decided. But empathy of emotion is the essence of being allowed by this force of silence to capture it.

It doesn’t have to be a gently rainy night in Lytham St Annes. It doesn’t need to be Blackpool illuminations or fish and chips. It doesn’t need to be two people,… or even one; though, as these will be photographs, less than one is difficult.

I’ve always thought of them as ‘night moves’.

I’m been trying to photograph such ‘night moves’ for a long time; and a big thank you to Bob Seeger who, confusingly to anyone reading this, had a sexual metaphor in mind when he wrote the brilliant song with the same name. My motives are slightly different

No matter… if the music fits.

I’m aided in this project by an upgraded Apple iPhone. After nearly four years I’ve traded in my model seven for the latest – an 11 Pro. The older one was good; this new one is wonderful. One of its modes is ‘Night Mode’. It enables very natural-looking images to be taken is low-light situations.

I’m still learning, but I’ll be posting the better ones here, along with their story, where appropriate.

©Stephen Tanham 2020

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

2 Comments on “#ShortWrytz – Night moves: the big idea

  1. Your phone is taking great pics, Steve. There is definitely a sense of quiet in the image, privacy but without secrets. I think it is an autumn phenomenon when the darkness descends early and catches us still in the midst of our day.

    Liked by 1 person

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