The She Sentinel
A small festival, where pilgrims,
unknown to themselves, climb me
Clutching children,
adorned with picnics,
They play
And round my ragged peak,
they stand and point their heads
For the length of a heartbeat
And wonder . . .
But it was not always thus
Over many years he changed my face
Wrought outer magic on my hillside
Created wonder and even let the pilgrims in
Though they were ragged then, and poor
But he never saw my heart
Though his wife would stand and stare
And wonder . . .
But it was not always thus
In older times
Erased now from their memories
When brother fought with brother
And the blood of the kin spilled like water
On my soil
They lit a beacon here
To warn that killing approached
In the time when the head
Began to rule the heart
And even then
Some, sweating in bloodied armour
Would stop and stare
Or, decorated, stop their steeds
And pause a while
And wonder
But it was not always thus
But of the ancients, I will not speak
For you do not have the ears that hear
And now you . . .
And now you amuse me
For six days you have risen at dawn
To walk your personal trail to me
To stand and stare
But you dare to do this with your heart
I wonder, will I let you in?
Perhaps, tomorrow, when
My sister the wind
Says she will carry the water
That floods the land
Then we will see if you have
The ancient intent
And then, perhaps . . .
It will not always have been thus.
©Copyright Stephen Tanham 2015
Dark Night of the Stone
Freezing fingers clutch the silver cup
The thin but faithful horse stands grace
Equine feelings urge Gawain, “Go on”
The mountain stream adds ice; its own
Completing miseries’ embrace
——-
How did we come to this, Gawain?
His frozen thoughts; the pain, protest
How did we seek a place unknown
To pay the debt we shouldn’t own
From Christmas last, a bitter jest!
——-
He fingers coins, full purse of spite
“Perhaps I’ll buy a room!”
But round him snow and frozen streams
Speak far of warming tavern’s dreams
And icy wind that offers only doom
——-
A mind, half starved, breaks off a branch
“May I divine a place to Yule!”
The joke is lost on blackening fells
Which long for village evening bells
Far from that place where death’s the only rule
——-
His strength no more can fight the cold
He draws his sword and drives its mark
Into the earth, then at this cross begins to pray
In deepest heart beloved Arthur finds a way
And fire which needs no place defies the dark
©Copyright Stephen Tanham, 2015
Before Osiris
We do not speak of death, he said
Not here, where shapes of dread can hold no sway,
And disappear at end of days; and mouths spit out their final hate,
Then mute, come forth unto that silent gate
——-
Come gentle soul, and rise, he said
And let Anubis wash your eyes; clean fear away,
from inner skies, until, forever leaving blame
We raise you clear of this, your earthly name
——-
We only speak of life, he said
When opened eyes’ eternal gaze, whose gift is not,
Mere counted days, but that by which all time be known
And finding where you do not live, come home.
——-
We only speak of truth, he said
Not we, but you the judge must be, and balanced on these scales,
Your heart must see its worth, and opened, have its say
So that the man reborn to be, goes forth into a different day
©Copyright Stephen Tanham, 2015
The view towards upper Wharfedale – another lovely photo from SmackedPentax
The End of Time
Whenever I think of Sandy
I think, first, of his lined red face, his brightening smile
And scrub and dust and boots, and thin cheroots
And an old guitar that sings a while
———–
No cares survived to scar his life
Few needs, and too few friends preserved, pristine, his time
But distant heartbeats feed, between the bottle and the weed
Within the space of memory that is mine
———–
He is not real, of course, this Sandy
A screen on which the movie-mind shows light
Projected from a dream, this wilderness from far is seen
As necessary to complete the man who might
———–
His Harley gathers dust and grime
Behind old timber slats, that smell of creosote and sun
But the key that swings, on its old chrome rings,
Will only with my fingers turn and run
———–
Whenever I think of Sandy
The distance is his scrub and dust that blinds; not mine
No gravestone mars the plot, where he laid down his lot
His passing simply marks the end of time
———–
©Copyright Stephen Tanham, 2015
All images and text ©International copyright, The Silent Eye School of Consciousness, 2015.
Another amazing photo of one of our favourite landscapes from SmackedPentax
Alexandra arrived to find her coffee waiting on the table; together with an old silver coin.
“It’s a half-crown,” I said, in response to her puzzled look. “You may never have seen one, before?”
“I have. My grandfather had some; and what am I supposed to do with it?” she asked, in reply.
“Why, you spin it, of course!” I was being irritating, but it was for a purpose, besides, I am not old enough to be her grandfather.
“One coin, two faces – okay, technically a head and a tail? So,” she paused to take a breath. “What am I choosing between?”
“Much better,” I was ready to drop the curmudgeon. “Between a dance around the clock or a hexawaltz!”
“A what!?”
“I just made it up – a hexawaltz . . .”
She sat down, looked at me as though she could throw something, then decided to sip her coffee. “See reaction forming, stand back, creating inner space. Let reaction play itself out in imagination . . . smile, instead.” She beamed at me.
“Dammit, that was far too good,” I admitted, taking some of my own coffee.
“And now the choice–as my reward, professor . . .”
“I’m not your professor, but the choice is between walking the perimeter of the enneagram or dancing the hexaflow – either way we will cover the full circle of nine stations – as I promised, and in a bit more detail this time.”
“Now that I know about the wave and the context of where the Nine came from?”
I nodded. “Now that you know all that.” I flicked the coin into the air above our table. “Call it!”
“Heads!” she had blurted it out before she realised that there was no outcome associated with the choice she had made. I let the half-crown fall into my palm and slapped it, opposite side down on the upper side of my left hand.
“So which way are we going to do it?” she said. “Since the coin is, clearly, irrelevant!”
“Awww, and I was having such a good time!” I said.
“I know you were – that’s why I spoiled your fun!”
“Ouch!” I said. “Bested by my favourite legal mind, again . . .” I revealed the snake on the trick coin and sat there grinning and insufferable. She chuckled into her coffee.
Alexandra muttered into the froth, “Bastard . . .”
“Not entirely,” I defended my stance. “There is method in the professor’s madness, and probability is an important issue in the greater picture of the enneagram.”
“Snake, then . . .” She sat back, crossing one elegant leg over the other and waited. “I’m waiting . . .”
“Round the clock, then,” I began. “We could start anywhere, but remember that everything in the enneagram, viewed as a clock face of process, progresses from Zero to One to Three to Nine.”
“Zero? You never mentioned zero before!”
She was right. I nodded, smiling. “Zero really occupies the same spot as Nine, and marks the initiation of something for which Nine is its completion – It’s similar to how Ten works in our decimal system, yet contains the One from which it began – we don’t start counting at zero do we? And yet, mathematically, it’s there; but of rather a different nature from One”
“Okay,” she said, leaning forwards. “So a raw Zero state gets processed ‘around the clock’ of the enneagram to end up as the Nine at the end of the cycle.”
“Exactly so–in nine stages, just like a spiral.”
That idea took hold immediately. “Oh, that’s good, so, it’s really three-dimensional, but, because we can only see it from above, we just see it returning to Nine, as though Nine were unchanged and just the point of starting again.”
“Whereas–?” I prompted.
“Whereas, really, in any process, the Nine represents what you would call an alchemical completion of a cycle . . .”
“Breathtaking!”
“Thank you.” She smiled. “I do listen . . .sometimes.” She chuckled, again. “When I’m not wanting to throw coffee at you!”
It was my turn to sit back and drink my coffee. “And you have to go, now, but before you do, I can tell you the exciting news that there are people living around the enneagram!”
There was mirth in her eyes. “Shock, horror–people, no less! Squatters, possibly!”
Her laughter was infectious. I joined in the mirth. “Yes, people; and, sadly, their presence there has nothing at all to do with the working out of process in the general sense that Gurdjieff taught us . . .”
“Wha–”
“It’s complex; but beautiful. And it deserves a full answer or you won’t get the elegant sense of it all – but there are two systems of human development alive and well in this beautiful glyph and they co-exist very well . . .”
Ten minutes later, I helped her onto the train. She leaned down to give me the customary Monday hug and peck on the cheek.
“Such fun,” she said, as the carriage doors whooshed shut.
——————————-
Nine Deadly Sins with Coffee is usually published on Thursdays.
All images and text ©International copyright, The Silent Eye School of Consciousness, 2015.
Contact details and an outline description of the Silent Eye School are on the other pages of this blog and via the website at www.thesilenteye.co.uk
And Stuart at his “Who me?” evil best . . .
As the group of us in the Silent Eye have drunk many a pint of Stowfords cider, I couldn’t resist reblogging this from Sue Vincent.

I’ve still got two Stowford’s just sat in the fridge,
And I know that you’re thinking that that’s sacrilege
But I seldom drink alcohol when I’m alone
And as Ani’s teetotal, I’m all on my own.
I’ll save them, I thought, for a nice sunny day
When the garden gets done, or I’ve been out to play
Taking Ani out into the fields for a run…
I’ll be hot and bothered, and then I’ll have one.
But of course I forget, as I am quite unused
And the habit of such luxury is reduced –
To have Stowford’s at home, well that’s really quite new,
So you’d think I’d be up for imbibing a few.
As a gift, I must say, that their welcome was sure
And the knowledge I do not have weeks to endure
Before getting a pint of that cool, golden liquor…!
I could not have accepted…
View original post 146 more words
Sue’s photos make it look so easy – but photographing birds is anything but!
One of our favourite spiritual landscapes – captured beautifully by Smacked Pentax.







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