The Moment that Teaches

Most people who venture into the mystical encounter it before too long – that momentary sense of the world dropping away and an intense silence taking centre stage. In that silence is a new perspective which does not belong to the subjective, reasoning consciousness.

I think of it as the ‘moment that teaches’.

It is to be sought after as though it were gold. We will not find it by normal methods of analytical reason. The brain cannot reason beyond what it already knows, in some form. It can re-assemble the pieces, but the ‘moment that teaches’ comes into the consciousness whole.

That very sense of wholeness describes it as something other. Other, in this sense, means originating from a place not inside the usual stream of consciousness. The new perspective owes nothing to memory – other than the ability to try to communicate it – like this blog. That very act is doomed unless the receiver; the reader has, at some point in their lives, been ‘touched’ in this way by their own silence talking to them…

It is a natural condition that societal forces have obliged us to put to one side in favour of analytical reasoning. I’m not one who advocates disparaging the brain or its reasoning. It is a magnificent organ of consciousness that has taken millions of years to evolve. It makes sense of the billions of sense impressions available to us every second. Learning is largely a process of diminishing this flow of possible events – thereby avoiding madness and also creating a reliable picture of our world in which we can ‘not bang into things’ as a good friend of mine summarised recently.

In doing this, and allowing us to communicate the essential elements of our existence, the brain serves its purpose. It keeps us alive, and alerts us to potential and real danger. Potential danger can become anxiety, something whose collective danger I suspect we are learning society-wide as we wrestle with the moral foundations of our western lives… and the nature and value of truth.

Beyond morals lie values. And these come from a world which is not based upon logic but upon inspiration – seeing with different eyes. Each element of a moral code has at some time come into existence in the human consciousness as a spark of deeper knowing. It is seen to be ‘right’ and that rightness is grabbed, grasped and remembered by a mind opened to the entry of what mystics call ‘the higher’. The extracted facts can be passed on for contemplation Bearing witness to the truth of the revelation can only exist in the personal consciousness.

The higher speaks to us when we learn to listen to its silence. It speaks to us in moments that teach.

In the Silent Eye’s cycle of three ‘landscape’ workshops each year, we try to provide a formula of experience and place which has the greatest chance of allowing the entry into our lives of such a moment that teaches. Sometimes we do this by being in a place that has a vibrational history of the sacred. Sometimes we do it by being in an ordinary place that we psychologically ‘dress’ in the collective imagination to be somewhere different.

Sometimes, we are lucky enough to have a combination of real history and real sacred place around which to spin a special tale -based on the truth. Such a place is the internal space of Whitby Abbey, the location, in AD664, of the Synod of Whitby.

We will go into the detail in the coming weekend and in the blogs that follow, but in brief, the Synod was the place in which Saxon Britain’s most powerful king – Oswald (Oswiu in old English) set in motion a ‘court of learned opinion’ that would determine some very key elements of how Christianity flourished in the future.

Two streams of Christianity operated side by side in the seventh century. One we know a as Roman, the other Celtic. Celtic Christianity, as practised by King Oswald himself was a descended from St Patrick’s ‘conversion’ of Ireland, through the monastery on the Scottish Island of Iona and to the establishment of the monastery at Lindisfarne, off the Northumbrian coast.

A local man gave his four sons to the care of the monks at Lindisfarne. Two of them excelled in their work and became Bishops. One of them was summoned by King Oswald to carry out what we would now call the ‘facilitation’ of the competing ‘learned opinions’ of the synod.

Our deliberations are made more complex by the fact that King Oswald’s beloved queen was also a Christian, but of the Roman faith – established in Britain by Augustine and gathering momentum as the Pope pushed for consolidation of belief in an important outpost of his religious world view. Husband and wife were therefore on opposite sides of the debate… or were they?

One of the young bishops from Lindisfarne was Cedd – later St Cedd. He had risen to fame and religious prominence by the force of his intellect, and his religious devotion – learned from the Celtic Christian monks on Lindisfarne, only fifty miles north of Whitby.

The man who became St Cedd is the psychological focus of our weekend; and in the story of the last year of his life, we will trace our own footsteps – spiritual and physical, across the former landscape of Northumbria, a place that is now the beautiful county and coastline of North Yorkshire.

It begins on a Friday in December, when Bishop Cedd arrives, via the near two-hundred steps, at the Abbey of Whitby. He has a heavy heart, but knows that his duty to his king must be at odds with the only life he has every known. And he also knows that duty must come before all else, regardless of the effect it must have on everything he has always loved.

Cedd knows what he shouldn’t… and is powerless to act upon it.

In that decision, he opens himself to the moment that teaches… And we will try to follow…

The Keys of Heaven: in the footsteps of St Cedd takes place on the weekend of 6-8 December, 2019 in Whitby and surrounding region. Come and join us in the mind and heart of the man who became history’s St Cedd.

Whitby is the location for our next weekend. Above is a taste of the opening day (Friday 6th December, 2019)… a few places are still available. You can click here for our website’s events page.

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

The Landscape that Teaches

When we were creating the Silent Eye’s mentored correspondence course, we envisaged a three-year journey through a mental, emotional and spiritual landscape which would evolve as the Companion’s learning and depth of ‘being’ increased.

This landscape was to be internal – an active, meditative experience, whose presence would extend into the daily life as learning of true cause and effect deepened, and different aspects of modern living were brought into powerful harmony. In the true and ancient meaning of the word, this would become a very magical journey.

Lately, we have begun to re-examine the idea of actual landscapes being used as teaching aides; not passively, but inviting – invoking – them to work with the noble intentions of the workshop in question.

I’ve been to many workshops over the years. Many of them were good. Some of them were very good. Two or three were life-changing…

What’s the difference?

Good ones were well structured; you had a clear idea -going in – of what would be taught and what effort you would have to put in if you wanted to succeed. What was success in this context? Success has to be ‘something added’ to your life; possibly an additional skill, something to be dropped into that ‘kit bag’ that is us; a bit like the tarot Card of the Fool (below), striding, unafraid, into the morning of Life with a little dog nipping at his heels and his few important possessions slung over his/her shoulder…

Tarot image Wikipedia – Public Domain

Very good workshops were those in which you discovered that, whatever you thought in the first few minutes, it deepened way beyond that as the agenda developed. This might have been the appropriateness of the subject matter, or even the approach of the teacher.

A workshop that is life-changing is one in which the attendee immediately feels at home with the event and the inner process of the teaching – generating a hunger. That sense of ‘coming home’ is difficult to pin down, but deepens with each stage of the event.

Why this happens may not be apparent in the early stages; indeed I’ve been to a couple of such weekends where I still don’t know how that sense of sheer magic was created… But I know it was. And the fact that the memory still generates a sense of wonder, years later, shows the power they had.

‘Let go and get out of the way’…

It’s a deeply mystical insight, and it may have a lot to do with the life-changing workshops. There’s an enigma at work, here: you have prepare the ‘skeleton’ of the event in sufficient detail for it to be viable. At the same time, the structure and keys of the weekend should only be the ‘tinder that lights the greater fire’. When this works, it’s obvious that something is happening beyond the planning and the preparation. It is as though an intervention is taking place that broadens and deepens a kind of group presence…

In the Silent Eye, this is what we aim for; that the landscape, itself, becomes the teacher, gradually aligning and moving forward each person to the degree that they are able to be receptive to it. More blogs will follow as we develop this theme.

Whitby is the location for our next weekend. Above is a taste of the opening day (Friday 6th December, 2019)… a few places are still available. You can click here for our website’s events page.

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

A prospect of Whitby (2) Steps in Time

The Cross of Caedmon – a monument (erected 1898)

Good food is everywhere in Whitby. Even with our Collie dog in tow, we were able to find a wonderful and furry-friendly tearoom – Sherlocks in Flowergate. Forty minutes later we had enjoyed it so much we decided it would make a great refreshment stop for those coming to the ‘Keys of Heaven’ workshop on the first weekend in December.

Bridges are always significant. We’ve lost that sense in our busy age: too consumed by ‘doing’ to think back to how civilisation was practically divided and delineated by these ‘crossings over water’ that used intelligence to change borders… Quite something, yet, today they are simply a convenience and we travel over them as though they were just another part of the road.

Children don’t… they squash their faces to the car’s windows to fully experience the water crossing – something in them is still alive to the magic of this.

The ‘swing-bridge’ over the Esk river is in the centre of Whitby and unites the two halves of the town

The bridge in the centre of Whitby is known simply as the ‘swing bridge’. But it divides Whitby in two and allows three types of crossing: foot traffic and cars move over it, boats move beneath it. For both a junction in time and space is created. The river Esk completes its thirty mile course here, meeting the sea under the watchful eyes of light and cannon at the harbour’s entrance.

The Gun and the Light… Whitby’s West Pier

We had come down from Whitby’s West Cliff and were passing the point of the cannon and one of the town’s historic lighthouses, when Bernie, looking up at the still-distant Abbey ruins, had said, ‘A light in the winter; something new will happen, I think…”

At the time, I hadn’t given much though to it. I presumed she was referring to our present visit and not the destination workshop in December.

(Above) Sandgate – on of the two main commercial streets on East Quay

Now, crossing the swing-bridge and thereby the mighty river Esk, we entered the major shopping streets of Sandgate and Church Street and something made me return to her words.

“When you said something new would happen here, did you mean at the workshop in December?” I asked.

“Yes, December,” she replied. There was something in the landscape, back there with the cannon and the lighthouse that made me think that…”

She’s very intuitive. Sometimes I miss it the first time… She was right. There was a sense that this was a different type of landscape from what we had used before… and maybe we needed to react to it in a slightly different way?

(Above) Across the ‘Swing Bridge’ – lower left – lies the older part of town – and leads to the Abbey

Historic towns always have a contrast between what is old and more modern. There is little in Whitby that would be classed as modern – its beauty lies in the fact that it’s an historic port. The ‘Dracula’ reputation has made it a centre for ‘Goth’ festivals – which are generally good-natured; but somewhat at odds with the religious past of the Abbey and its history. Despite this, there is one thing that epitomises the town and unites the two: Whitby Jet.

Whitby Jet is a local gemstone made from fossilised wood which, millions of years ago, had been covered in other sediment in water environments and compressed into the shale beds that eventually became the North Yorkshire coast. It is a beautiful and lightweight material, making it ideal for jewellery.

Mining of Whitby Jet has never been allowed. Instead, a local tradition of lowering young men over the cliffs was permitted. They would dig into the cliffs to extract larger pieces of the raw Jet gemstone, fill their baskets and be pulled back up the cliff. It was considered an extremely dangerous career! Today, there is little left of the original deposits, but the local industry is resourceful – and world famous.

The cliffs to the north of Whitby – a severe working environment!

Weather permitting, we would be including a cliff walk in the plan for the weekend. Time would not allow us to sail as the ancient pilgrims in these parts did, but we could be close to the water… and high above it!

We made a note that ample time needed to be given in our December itinerary for a wander around the streets of Whitby to allow for some Christmas shopping…

Beyond the market the streets began to narrow. You could just ‘feel’ that this far part of the town was the approach to something very different…

A final turn, a final tearoom!

A final turn – a final tearoom – and there were the steps up to Whitby’s famous Abbey. Nearly two hundred of them, apparently… The next stage of our exploration beckoned – and we would have to work for it… We were finally approaching the symbolic centre of the coming weekend.

To be continued…

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

A prospect of Whitby (1) The Abbey at the centre of time

Above – A Prospect of Whitby Abbey from West Cliff

The title’s cheeky… Bram Stoker created Count Dracula of Transylvania and had him come ashore at Whitby in a ship named The Prospect of Whitby. We’ll not be talking much about Dracula in our coming weekend workshop; we’ve got enough to contend with considering the truth…

There are many ways to approach the centre of Whitby, but only one to truly approach its heart… In the opening shot the phone camera is straining at the maximum of its zoom abilities, but at least generates a clear image across the considerable distance from West Cliff. Here we stand, not far from where the car is parked, and excited to be back here here after a gap of fifteen years.

The right of the image shows the key detail: the wide, winding steps ascending from the bustling streets to the ancient ruins of Whitby Abbey. Even from this distance – which is across the mouth of the estuary – there is a feeling of sheer importance about that far place… Something of immense significance happened there, and it’s our job to consider it fairly and reasonably without too much emotion… and then turn it into the basis of a deliberately emotional workshop that will involve both heart and mind – and the undoubtedly freezing winds of a December weekend on the famously cold north-east coast of Yorkshire.

(Above) An edited photo of the town map showing (red mark) where we are at West Cliff; and (green marker) where we’re going (The Abbey). The nature of ‘approaches’ is symbolic and important.

To help with that objectivity, I am doing my prep visit with my wife, Bernie, who is an historian by training… and is also a Catholic. I’m not a Catholic. I was raised in a Rosicrucian family which fell foul of the local Church of England vicar in a small Lancashire village… but that’s another story. The important thing is that, between us, we can be objective about the religious importance of Whitby and what happened here…

Fourteen hundred years ago…

We take one last look across the bay before beginning our descent into the town. It’s a bit like a mystical view of a life – seen before birth and imagined as a final glimpse of the whole before you become in-volved and begin the evolution that the individual life brings within the necessarily different existence of the gritty details…

(Above) Captain Cook was here…

Entering the grassed area at the top of the West Cliff steps we noticed an image of Captain Cook. Although not born here, he began his marine training in Whitby, aged eighteen, as an apprentice to the master of a local ship: John Walker. For the next nine years he served aboard cargo ships between London, Liverpool, Dublin, The Netherlands, and the ports of Norway and the Baltic. In the course of this, the gifted James Cook rose from apprentice to mate, developing skills that would enable him to become a master-mariner and lead his world famous voyages of discovery.

The significance of this to our forthcoming weekend is not lost on us as we walk down the steep hill. The steps become a winding road, and the road becomes the harbour that was the home of Fishburn’s yard. Fishburn’s produced all four of the Collier-class ships used by James Cook; including the famous Endeavour.

(Above) Captain Cook is celebrated with marine replicas, too…

In the broadest sense, a ship is a container…

The makers of such soul-carrying containers bear a great responsibility: to ensure they are fit for the passage of time, events and circumstance in which a group of people will travel. Our coming weekend bears little relation to Cook’s epic journeys; except in this regard: that if we make it a fitting vessel, it will serve the consciousness-deepening goals of the workshop with integrity.

“We should begin, then…” I say as we start to walk along the harbour’s quayside. Bernie gives me that look and smiles, knowing I’m about the launch forth into one of the pivotal statements for the coming workshop. “It’s not sufficient to say that the Christianity of the Anglo Saxons resembled two armies that met from north and south to meet at a battle named The Synod of Whitby – in AD 664..”

She inclines her head. Not used to such a fair-minded opening. “Mmmm… Whereas the truth is?” she asks.

“Whereas the truth is that both Celtic Christian and Roman Christian faiths were interwoven from region to region across Saxon Britain and no-one made much of a fuss about it till King Oswald (Oswiu) responded to his wife in the matter of settling the date of Easter!”

“Which was important because…?” She’s taunting.

“Which was important because he followed the Celtic Faith and she followed the Roman, which meant that when he was feasting she was fasting…”

I continue. “And, as King of Northumbria, he was the most powerful monarch in the Anglo Saxon world.

“Quite!” she says, then, “Look – fish and chips ahead… The famous Magpie Cafe… with the usual queues.”

The celebrated Magpie ‘fish and chips’ Cafe – perhaps the Friday night of the weekend?

The sudden switch reminds me that Whitby’s like that… From the deeply historic and serious to the frivolous in an instant. I look around and wonder if a Goth from the adjacent festival might rush us and offer something outrageous.

The swing bridge and then the lovely ‘Whitby jet’ jewellery shops await, on the way to the Abbey steps, but, first, we need something to eat. Breakfast was meagre and a long time ago. We can do fasting when we need to… but in Whitby the temptations are just too good…

St Mary’s Church and the Abbey await.. but it’s a long way up and we haven’t eaten yet

Across the harbour, the East Cliff looms over the town like an old guardian. But our own pilgrims will need refreshments upon their arrival on the Friday lunchtime of the weekend, so the body-not-soul research, trivial though it is, must be done before we make the climb.

To be continued…

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Fear and Love in the High Peak (2) – “I want a posset!”

The first visit of the Silent Eye ‘Rites of Passage: Seeing Beyond Fear’ weekend was to the Derbyshire village of Eyam (pronounced Eem) – The Plague Village.

Our family has a personal connection with Eyam and the terrible events of 1665-6, when bubonic plague, newly arrived in Derbyshire from London, took the lives of 260 of its occupants: over seven-tenths of its population.

The parish church of St Lawrence, Eyam

No-one began the weekend thinking of heroes or heroines, but they were there in the records–and in the living landscape, though the word may not be entirely appropriate to describe the profound selflessness of its former inhabitants during that fateful period that began in 1665.

The Saxon cross in the church of St Lawrence

Our family connection was Edward Unwin. We do not know his occupation, but it was probably that of lead miner, a common occupation in those parts. This assumption is made on the basis that a close friend of his reported the strange events that follow to Catherine Mompesson, the wife of the new pastor of Eyam, William Mompesson, who was a disciplined diarist. Her records are the basis of much of the history of the plague year of 1666.

From Diary of Catherine Mompesson, 5th July 1666:

‘I first encountered John Carter [the neighbour of Edward Unwin] on the morning following his summoning of Marshall Howe to give his ministrations to his near neighbour…’

Catherine Mompesson’s journal goes on to explain how Carter, the neighbour of Unwin, was ‘sharp-spoken’ and unkempt in the way of the local lead miners, but was ‘direct and honest’ in his conversation. In common with the other lead miners, he looked ten years older than his reputed thirty-four years. Catherine Mompesson relates that, in telling the tale, he had ‘a certain jocose air’ about him as he related the story of the previous day.

The grave of Catherine Mompesson, wife of Rector William. She died in 1666 of the plague.

The journal continues: ‘Knowing that Unwin was either dead or on the verge of death, Carter had summoned his fellow miner, Marshall Howe, who was acting as a self-appointed ‘sexton of the plague’; seemingly heedless of the danger to himself, but well aware that, since Unwin’s wife had already died of the plague, choice possessions from Unwin’s house would pass to him as his fee for the ‘sexton’s’ funeral duties…

Bodies had to be buried in the gardens of the deceased’s dwellings to reduce the risk of contagion from communal graveyards. The journal tells that Marshall Howe had already dug Unwin’s grave in the man’s ‘sweet smelling’ orchard at the back of the property and was carrying his body over his shoulder down the stairs when:

‘The still-warm body started to writhe and thrash.. then shouted out, “I want a posset!”

The interior of St Lawrence’s church

Edward Unwin was my wife’s tenth great grandfather. He survived the encounter with the ‘plague sexton’ and got his posset from a sympathetic neighbour. The self-appointed sexton fled but is recorded as subsequently continuing his job and surviving the plague. The incident gave voice to the opinion that Marshall may ‘have been overzealous in the execution of his duties several times…’

We know that Edward Unwin survived the plague. My wife, Bernie, hopes that whatever resistant DNA he may have had was passed down through the generations. The posset in question was a mixture of boiled milk, ale, bread and fats – a miner’s favourite sustenance and inexpensive, too.

Edward was not a hero, regardless of his miraculous recovery… But the plague village and the area around it did have its heroes. Eyam, discovering that it was the new centre of a potential explosion of bubonic plague infection, did something remarkable: with some guidance from the clergy, it chose to cut itself off from the surrounding villages and towns, condemning all those ‘within’ to almost certain death.

The credit for this is normally given to William Mompesson, the young local clergyman. But the truth is more complex… Two rectors were involved in the formidable alignment of wills that gave Eyam its fame and historical status.

1662 was the date of the Act of Uniformity. Charles II was on the throne of England and Scotland, and Cromwell’s age of the Puritans had come to an end. The Act of Uniformity forced the ‘ejection’ of hundreds of puritan clergymen from their ‘living’. One of these was Eyam’s much respected rector, Thomas Stanley.

The old sundial on the walls of the church

Traditionally, these ‘ejected’ clergyman were expected to leave the region in which they had ministered. But Stanley continued to live close to Eyam – something the nearby Duke of Devonshire had the power to correct but didn’t, such was the standing of the former rector.

William Mompesson, Rector of Eyam Church. I could find no surviving pictures of Thomas Stanley.

The plague arrived in Eyam at the end of August, 1665, in the bite of fleas wrapped in a damp bale of a tailor’s cloth. The inexperienced rector knew he had to do something radical but struggled to gain support from the people of Eyam – until he met with Thomas Stanley and shared views across the new religious boundary. Together, they framed the stance the people of Eyam would adopt; to imprison themselves, facing almost certain death, in order to protect the surrounding populations.

The Story of the plague. An unlikely stained glass window in St Lawrence’s church…

The Earl of Devonshire deserves mention in this context, too. He and his family resolutely supported Eyam in its self-imposed isolation. They provided food and other vital supplies for the villagers, left at safe boundary points, for the duration of the plague’s effects.

William Cavendish, First Duke of Devonshire and benefactor of Eyam during the plague. Image Wikipedia, public domain

Space precludes more detail of the beautiful village of Eyam, but Sue Vincent’s recent blog describes our exploration of Eyam in considerable detail.

The day in Eyam had generated heavy hearts, even though these events were four hundred years ago. They let us reflect on the nature of fear… and of love. But this was an important counterpoint to the following day, which would begin on a much more sun-filled note.

———————————-

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Fear and Love in the High Peak – part one

It’s not the best of photo resolutions, but the above image says it all. Briony saluting the Derbyshire landscape in her own way at the end of three days of the Silent Eye’s Tideswell-based workshop: Sue and Stuart’s creation; and a wonderful experience for the group of souls who braved the provocative title for the weekend…

Rites of Passage: Seeing beyond Fear

…and decided that they would examine the roots of their own fears… and face them in the warmth of loving companionship and symbolic danger.

It’s a time-honoured formula for all mystical organisations; one that brings us all to a point where the day to day ‘fog’ of habitual perception is cut through by the vividness of landscape and experience. That’s what we hope to achieve on these weekends. This one worked well – and in different ways for each person, as it should, for we all have different stories that have brought us to our ‘now’.

Sometimes, especially in reviewing such things, it’s better to start at the end. The picture (above) of Briony is of her at the ‘peak’ of the weekend; the last act of the formal part of our physical, emotional and spiritual wanderings across the ancient and mysterious landscapes of Derbyshire.

A short time later, we would be laughing in one of the oddest, oldest and most wonderful pubs in England…

But that’s for the final chapter of this short series of blogs. For now, let’s drift backwards in time to the sunshine of the Saturday morning. A day of ‘Indian Summer’ as good as any we been blessed with over the years.

Baslow Ridge

We were up high in a place called Baslow Ridge. Looking down on a series of valleys that lead to places like Bakewell, and the glories of the Chatsworth Estate.

The Eagle Stone – a place of proof of maturity, and a precursor to local marriage

The Eagle Stone stands alone, an outlier from a distant time of glaciation. It dominates the landscape like the monolith did in Kubrick’s film of Arthur C. Clarke’s story 2001: A Space Odyssey. People are drawn to it from miles around. It even featured in the BBC adaptation of Jane Austen’s novel ‘Pride and Prejudice’ as the place that Elizabeth Bennett visited and climbed… to get away from it all.

It is still used by local folk as a rite of passage. Those who seek the hand of marriage with the girls and ladies of the nearby town of Baslow are expected to demonstrate their suitability by climbing the stone unaided. It’s not a trivial ascent, as this second shot of the rock shows:

The Eagle Stone close-up shows how the higher layers overhang the lower; making an ascent difficult

The Eagle Stone is an example of a sacred folk-object at the centre of a local custom; a ritual, in this case. The ritual was a gateway into adulthood–and maturity. There would be real caution – if not fear- for anyone faced with the challenge. But, with some secret help from your friends, there was only an element of danger, rather than the certainty of death…

The Riley Graves

But many in the history of these parts have not been so lucky. Going back in time to our first visit of the weekend, we were brought face to face with personal fear and sadness of a degree that would be hard to envisage in modern life… and one of the most heart-rending sacrifices we could have encountered.

It’s 1666 in a small High Peak town, not far from Chatsworth. In the space of a single week, a lone woman buries all six of her children and then her husband. No-one will help her; no-one can help her. It is the most awful piece of personal history imaginable and yet the act which surrounds it is of the highest nobility.

Stuart… showing how it should be done

And so the story – the plot – of the weekend, moves from an historic example of fear and self-sacrifice – but seen through modern eyes, through the ancient stones set in the Derbyshire landscape and their cultural and symbolic use, to its finale in a rather foreboding place, high above a valley with a dark history…

Seen like this – backwards from the end, we can appreciate the careful construction of the weekend carried out by Sue and Stuart. Sue has begun its re-telling in her Silent Eye and personal blogs. She’s a great storyteller and there is little point in my replicating her excellent eye for detail.

Instead, I will pick certain moments of significance and focus on them – and hence this backwards-in-time introduction to set the scene.

It’s a long way from the Friday meeting place at Eyam to our final (small for drivers) glass of Dark Lurcher at the Three Stag’s Heads near ‘Hanging Rock’, but it’s a fascinating journey. The weekend demanded a degree of serious intent… but we had lot of fun, too.

In the end, on Sunday morning, everyone was alone for a moment on that dark peak… Very Carlos Castenada, really…. but that’s just my personal take on it.

Next time we meet, it will be August 1666 and, in this part of Derbyshire, something remarkable, unique and utterly selfless will be about to happen.

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Only a Horse and a Sword

We become habitual in our thinking. It’s a good idea (and fun) to play little games with our mind to help us look at things differently.

One of these is to look at things in a ‘zero-sum’ way: that is, to consider life as a vast journey of ‘bought and sold’: acquisition, usage and disposal…

Saladin, (Salah ad-Din) the legendary first Sultan of the combined lands of Egypt and Syria, and scourge of the western Crusaders, is recorded as having given away most of his belongings before his death.

At the end, his only possessions were his horse and a sword.

But that’s ‘just’ end-of-life, stuff. How about if we lived our lives such that everything we ‘took in’ to our lives had to be used, valued and then disposed of in a positive way as we went along?

What might this include? Well, our possessions of every kind would have to be acquired alongside the sentiment: ‘I want this, but I will ensure that others benefit from it, too…’. Then, when the thing ceased to be of use to us, we would look for others to whom it would be useful.

Not too much to ask, or too onerous?

Our home would be open to others, as long as they honoured its ‘foundations’. Those would include a certain attitude to looking after it and respecting its conventions. Our family – something not acquired in the same way, but given to us – would need to be considered, too. At the end of our days, how would our balance sheet look? Did we leave others ‘richer’ than we found them? Did our presence bring some joy, along the way. There are always struggles with family, which is often the most difficult ‘school’ of our lives, but, overall, did we try?

Our careers would be an important part of this, too. We work in increasingly ‘compressive’ environments, where we are expected to conform to behaviours that are not native to our higher natures. How do we manage this? There may be few choices – externally. But we can always project an inner air of integrity, even if what is around us is ruthless, uncaring or downright cruel.

Examining our lives across these broader timescales will bring us back to much shorter ones. One consideration will be that we will look for things that we did not earn in any way, short of being present. Our food and other means of sustenance is a vital part of our lives. The ‘Maslow’ approach to this was that we cannot hope to lead a higher personal life until our basic needs have been fulfilled; and we should examining others’ lives on this basis, too, before we judge them.

On an even smaller scale, how about breathing? We take in air whose creation and preparation has nothing to do with our own effort. At this smallest scale, we are literally given life every few seconds. There is no bill at the end of this most basic of meals.

In such situations, perhaps we can think of it as a debt. We owe…

And, maybe that sense of owing would begin to renew both our ‘selves’ and the planet, replacing the viciousness of entitlement so prevalent among those who ‘rule’ us. It seems that, as the world’s wealth comes to belong to fewer and fewer people, civilisation goes back in time to a more feudal basis. It’s a frightening thought that our ‘democracies’ have become so feeble that even the most educated feel powerless to stop the erosion of what were – not so long ago- shared values.

But we are not the first to live in troubled times. It may be that they are there to teach us to act responsibly and collectively. Unless we can do so, we are powerless to change things.

We may conclude that, as an individual, we can do nothing to change the politics of our ‘world’; in which case we live in an age where only our personal behaviour can make a difference: good examples of personal light in darkness can catch the spirit of the times and become visible flames.

Saladin was a great warrior and is said to have been a fair and just ruler. He had a vast kingdom and ended the power of the Crusading forces.

Our true kingdom is our lives, not how much we possess. Will we be able to look back on our lives from our single horse, and kiss the keen blade of thoughts and feeling that brought us through? And then will we have the grace to leave both behind, in a final act of giving, before surrendering our physical existence to the drifting sands beneath our feet…

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Three Days of the Oyster-Catcher (Part 7, Final) – Face to Face with Macbeth

It was time to come face to face with the man who may well have inspired Shakespeare’s Macbeth…

We were standing in the car park near Drumin Castle. Dean was using the visitor map of the Glenlivet Estate to describe the day ahead.

The visitors map of the Glenlivet Estate with our two intended locations highlighted in red

We were to begin by exploring an ancient and little visited stone circle on the nearby slope above the river Livet – The Doune of Dalmore. After this we would cross the river to the nearby ruin of Drumin Castle before driving across the Glenlivet estate to its south-eastern edge to conclude our work on the elements at Scanlan; the home of a secret seminary.

It was expected that we would be able to finish our workshop in time to allow the usual local lunch, together, followed by our departure. Many of us had far to go before we got home on that Sunday. In our case, the journey even to Cumbria was going to take at least six hours.

Both locations for the planned day are marked on the photo of the Glenlivet Estate, above, and have their own maps within the text.

Glenlivet Estate: our first two locations are shown above. The Ring Cairn and Drumin Castle are described in the text. Map provided by the Glenlivet Estate on their notice board.

The Glenlivet estate comprises 23,000 hectares of some of Scotland’s most beautiful scenery and lies at the northern edge of the Cairngorm National Park, between the northern Ladder Hills and the Cromdale Hills. Two rivers – the Avon and the Livet run through its heart.

The land in Glenlivet is an elevated plateau and is always higher than 200m (600ft). Although remote, and on the edge of some of Britain’s highest mountains, the gentle landscape is easy to access and explore. People have lived and farmed this region since prehistoric times.

From the 1500’s to the early 20th Century, Glenlivet Estate belonged to the Gordon family, who became the Dukes of Richmond and Gordon. Their legacy can be seen throughout the region.

Crossing the river Livet

First, we had to cross the river Livet and begin the walk through the gentle meadows.

The hilltop of the Doune of Dalmore can be seen at the far end of the meadow.

It was an easy climb to the Doune of Dalmore. Soon, we were standing at the base of the ancient site.

The Doune of Dalmore – Stone circle and burial chamber.

The Doune of Dalmore comprises the ancient remains of a ring cairn – a prehistoric burial monument with an open central area – and a stone circle that surrounds it. This type of circle and ring is known locally as a Clava cairn. The cairn is 13m in diameter and 0.7m high. Four of the stones of the surrounding circle are now standing, but some others, which have fallen, lie where they fell.

The edge of the ring of stones

The day was mild and the weather kind. For the penultimate time, we assembled our ribbons into pentagrams, cornered with our special stones, and gathered in our groups of two to partner in inner vision and notation on the element of alchemical ‘Fire’. Fire is both potent and dangerous. It can work good and bad. Thoughts of the witches on the blasted heath came to mind; and also the essence of what they represented within the Macbeth story: they had no power to compel, merely to dangle before human ambition what ‘might be’.

In the distance… the home of the Wolf of Badenoch

And then it was time to turn and look across the valley of the Livet river to see our next destination. It was our final day… and we had to be open to conclusions – our own and that of the landscape we had ‘asked’ to teach us. With some trepidation, I looked across the clean, flowing water of the Livet to the ruins of Drumin Castle beyond… Drumin was the home of the ‘Wolf of Badenoch’, known in history as ‘Scotland’s vilest man’…

In the words of Scottish historians, “Scottish history has its fair share of deeply unpleasant characters, but Alexander Stewart, 1st Earl of Buchan, is a strong contender for the title of least pleasant of the lot.”

Alexander Stewart, 1st Earl of Buchan, but more commonly known as the Wolf of Badenoch, and the Celtic Atilla, lived from 1343 to 1394. He was the fourth illegitimate son of the future King Robert II of Scotland and of Elizabeth Mure of Rowallan, but became legitimised in 1349 upon his parents’ marriage. His life is a classic example of an egoic character provided with the means to destroy on a wholesale scale.

The element of Fire had well and truly returned to our presence with the glimpse of the life of this evil man. He systematically abused the power his royal father granted him and was fond of burning towns and sacred buildings to the ground. The town of Forres is an example of the former, the destruction of Elgin Cathedral is the worst example of the latter.

Drumin Castle as seen when you climb the steep approach by the river Livet – a forbidding aspect….

Shortly after, we descended across the meadows, re-crossed the river Livet and began the climb to the Wolf of Badenoch’s castle – Drumin. Scottish castles are usually compact structures. Drumin is strategically placed – overlooking both the river valley and the confluence of the rivers Livet and Avon (pronounced a’an).

Nothing is permanent – not even stone walls this thick…

Alexander Stewart died in 1394. He was buried in Dunkeld Cathedral. His tomb is, ironically, one of the few to have survived from Scotland’s Middle Ages. The details of the ‘Wolf’s death’ are unclear, but, as so often happens, the folk legend sheds light on both his life and death.

Ironically, the Wolf of Badenoch’ tomb is one of the few surviving from the Scottish Middle Ages. Image Source: Undiscovered Scotland

It is said that on the 24th July 1394, a black robed visitor arrived at Ruthven castle and challenged its owner to a game of chess. During the night that followed the castle was battered by a terrible storm, with intense thunder and lightning. In the morning the castle servants were discovered dead outside the castle walls. The Wolf of Badenoch was found dead in the great hall. His body was unmarked…but the nails in his boots had been torn out. This may have been a reference to Christ’s execution – Alexander Stewart’s being the opposite.

There was no sign of the dark stranger… Play ‘chess’ with the devil at your peril…

The modern garden of Drumin castle provides a place of peace amidst the terrible history

Shakespeare would have liked the story. There is no direct proof that Macbeth was based upon Alexander Stewart. Witchcraft was rife at the time of James I (James VI of Scotland) and the King lived in terror of it. Shakespeare based many of his plays on real historical figures. It is reasonable to propose that the Wolf of Badenoch was the fictional twin of the ambitious psychopath who brought such chaos to this part of Scotland.

The Community Garden – produce available to all…

There was a pleasant end to our visit to to Drumin castle. Part of the garden (see above) has been given over to allow the creation of Glenlivet’s Community Orchard – a place of mutual industry and kindness.

Soon, we were driving across the length of the Glenlivet estate to a place close to its south-east border.

Our final destination. The location marked “Walk 2” shows Scanlan Seminary

We were headed for the isolation of the Braes of Glenlivet; specifically, The Scanlan, a former and secret Catholic seminary for the training of priests and young men set to become priests.

Scanlan Seminary – now a quiet and (usually) infrequently visited place…

During the 18th century, ‘The Scanlan’ was the only place in Scotland where young men could be trained to be priests – they were named the ‘heather priests’. During the period 1717 – 1799 over a hundred were trained, despite the persecution by Hanoverian soldiers following the failure of the Jacobite Rebellion. The location of The Scanlan was a closely guarded secret, and the site – at the head of a remote valley – was impossible to see until you were close to it.

Dean had visited the site of Scalan Seminary several times. He said that, often, he was the only one visiting. He had considered – given its remoteness and usual emptiness – that it would be an ideal basis for us to gather for our final exercise with the ribbon-based pentagrams.

The Scanlan still has no interior electric. Heating and lighting are as they were in days gone by…

But the ‘witchy fates’ had other ideas. Having made Findhorn beach disappear, and conjured mysterious winds to drag apart our ribbon pentagrams, they pulled off a spectacular strike on the final act in our ‘Macbeth play’.

How Scanlan used to look. For much of its later life it was a farmhouse, prior to its restoration as an historic museum.

The college played a vital role in keeping the traditional Catholic faith alive in northern Scotland. It’s name derives from the Gaelic word for a hut made of turf pieces – which is how the initial building at Scanlan was constructed.

A spartan interior…

In 1799, the religious training work of the Scanlan was moved to a less remote site, Aquhorthies College, near Inverurie. In researching this blog, I discovered I had a personal link to the tradition begun at Scanlan. My father’s eldest sister married a Glasgow man of the Catholic faith. The local church were helpful during the upbringing of my seven cousins, whom I used to visit every summer. The eldest son (my cousin) eventually left Glasgow to study to become a priest at Blairs College, in Aberdeen. Eventually, he left the priesthood and became a successful lawyer in Glasgow.

The most recent building (and now museum) is on the left. The old stone structure on the right replaced the original, secret turf hut. The bend in the stream to the right is the location of an ancient well.

Blairs College had taken over the work of training priests from Aquhorthies College in 1929 and continued this work until 1986. It is, now, also a museum. There was therefore a strong, religious and cultural link between where I was standing at the end of our weekend and my cousin’s life… But I didn’t know at the time.

The ruin of the second generation Scanlan…

But… the witches, the tricky fates…

No sooner had we arrived ( a twenty minute trek along the land from the car park) than others began to arrive, too. By the time we had taken a quick look at the museum there were upwards of thirty people gathering in a pagoda outside the main door. One glance at the approach track showed there were hundreds more arriving.

It transpired that there was an annual (and well-dressed) pilgrimage to Scanlan… and this was the day…

In deference, we retreated to a point out of sight and over the next small hill, there to lay out our humble pentagrams and perform the last movements that would resolve our work of the weekend, bringing our inner strengths and vision to help dissolve our perceived limitations. All this was focussed on a set of inner symbols that grew into a composite image which we were to take away with us as a lasting focus and token of the work done.

It was beautiful.

By the time we had battled the incoming tide of visitors, and regained the road system, it was five in the afternoon; several hours later than intended. But everyone felt we had enjoyed an excellent weekend among the hills and valleys of this beautiful Scottish landscape.

The oyster-catchers were never far away, and their beautiful calling accompanied our entire weekend.

Our thanks to Dean for the great amount of work that went into planning and realising the three days. We look forward to further Scottish adventures, including “On the trail of the Picts”, our workshop for September 2020.

End.

Other parts in this series

Part One, Part Two, Part Three, Part Four, Part Five, Part Six,

This is Part Seven

©Copyright Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Three Days of the Oyster-Catcher (Part 6) Beyond the Blasted Heath

And then the worlds around us literally fell away…

We were all tired; it had been a wonderful day, and the weather had been kind – which is not always assured in Scotland… The brain tends to switch off, which is no bad thing when you are in a ‘holding’ group and the whole idea is to engage a different (deeper, gentler, non-analytical) layer of consciousness.

The path was very straight and shaded with overhanging trees. I could sense the beginning of dehydration, and resolved to drink a little of our remaining water supply when we arrived at the wide path to the place of our workings. I voiced to Dean how good the route was; he chuckled.

” Straight and well-kept? Yes – It’s the old railway line between Grantown and Elgin…”

I laughed back. The tired brain reacts to defend the idiot it has become but I let the smiles play out, without response. The art of silent acceptance is a rare thing in a world where everything must be reacted to… but those moments can trigger a state where the outer self – the personality – is made quiet.

The timing was good… because, at that moment, the trees on either side ended and the world fell away. The splendour of the Spey Valley spread out below us like a detailed picture.

Suddenly, the green glory of the Spey Valley was revealed hundreds of feet below us…

It was a beautiful surprise; and we could see why Eva and Michael had suggested it. The track that was the line of the old railway had led us to one of its highest viaducts, and this was to be the place upon which we would carry out our ‘Air’ exercises. What could be more perfect…

But beautiful locations often bring their own challenges, as we had found out when the well-researched and perfectly suited beach at Findhorn had disappeared at the high-tide! The challenge on the viaduct was the strong breeze, despite the otherwise warm and perfect day…

The breezy viaduct over the River Spey…

There is a well known saying that (to paraphrase) real life is what happens when you’re making plans for how you should live. One of the principles we emphasise in the Silent Eye work is the importance of being conscious of everything that is happening to us – whether important or seemingly trivial. Deeply significant movements in our lives can be mirrored in the small things of life. Humour is most definitely a feature of the spiritually-inclined life, as is the upsetting of perfect plans…

Like the wind on the viaduct… and ribbons. 

We had become quite skilled in the rapid assembly of our ribbon-based pentagrams. But five minutes of desperate ribbon-chasing later, we gave up and looked at Dean.

“Stones?” Our mock-exasperated expressions asked. When faced with the same problem in the dunes behind Findhorn beach, we had resorted to constructing the pentagrams by simply laying out five stones to mark the pointy bits. When you’re practised with pentagrams you can mentally pick out the paths that exist between them. Textured and coloured stones reflecting the attributes of each element (earth, air, fire, water and their summation – spirit) had been given to us in our first location by the River Spey on the Friday evening. Now, they were the only way of continuing our ‘elemental’ work.

As we laid them out the ‘breeze’ increased. By the time we had finished, and each of the pairings had recorded the other’s comments, we were ready to leave. We took a final look at the glory of the landscape below and headed back along the old railway line.

Our final action, prior to a group dinner back in Grantown-on-Spey, was to revisit the witches and for the ladies to carry out some more Macbeth ‘acting’; this time upon an actual ‘blasted Heath’. 

And finally…. the ‘blasted heath’, home of Macbeth’s witches.

There comes a certain time in such a day when the ’rounded glow’ of a day well spent merges with the warmth of sheer fun. Give people in this condition a few bits of Shakespeare to enact – on a real blasted heath – and they will rise to the occasion. We smiled and laughed a lot. The ladies playing the witches were simply magnificent; and, if we were the only ones in the gallery, then that was enough.

The travelling company of players finally conclude their day and head back to the cars… and dinner

Finally, it was time to head back to Grantown; but via a slight detour that would take us back along the shores of Lochindorb.

One of the castles of the Wolf of Badenoch; the “Vilest man in Scotland’s history?”

Sadly, the pre-booked dinner in Grantown-on-Spey allowed us no time to stop and photograph, even given the last hour of the sun against the stunning vista of the Cairngorm mountains in the south.

The beautiful Glenlivet estate

Lochinborb is home to one of the castles of the Wolf of Badenoch, whose life and works we were to encounter on the following and final day within the beautiful setting of the Spey Valley around Glenlivet – home of one of the most famous single malt labels… and so much more.

Sunset in the streets of Grantown-on-Spey

The sun was setting over the town’s buildings as we arrived back in Grantown-on-Spey and our traditional Silent Eye Saturday dinner. Food and wine were shared amidst much laughter and camaraderie. It had been a very fine day, despite the determination of the ‘mischievous’ spirits whose presence – like Macbeth’s witches – seemed ever present…

Would they play a part in our Sunday – the final day, and the setting for our departure and long journeys home?

To be continued…

Other parts in this series

Part One, Part Two, Part Three, Part Four, Part Five, this is Part Six

©Copyright Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Three Days of the Oyster-Catcher (Part 5) Stone in the Sky

A Pictish stone so large, it needs its own ‘hangar’.

You can’t miss Sueno’s stone. It sits on its own plateau, just off the old main road between Findhorn and Forres; now bypassed. You see its ‘hangar’ first, then realise that this glass and steel monolith contains something special…

Sueno’s stone is massive – 7 metres tall. Sadly, the type of glass used to protect stones of this nature makes it difficult to capture images through the reflections on its surface.

Sueno’s stone was thought to be named after Swenson Forkbeard, but this is disputed. There is also a folk-link to King Duffus, whose castle we visited earlier in the day. The stone was mentioned in Scottish history as early as the 15th century, but accurate records date to the work of Lady Ann Campbell, the Countess of Moray, who, at her own expense, carried out maintenance work on it in the early 1700s in an attempt to stabilise the heavy stone. Stepped plinths around the base of the stone were the fruit of this dedicated work. We owe her a debt of gratitude.

Above: Image of Lady Ann Campbell’s preservation work of the 1700s. The red scribble (mine) shows the original Old Red Sandstone cross and base. The stepped plinths were added to protect and stabilise the Pictish masterpiece. Image: Wikimedia Commons. Public Domain.

There is archeological evidence that it was originally one of two stones, the other being smaller. Sueno’s stone is massive – seven metres (23 feet) tall. It was carved from Old Red Sandstone – a commonly used rock in this part of the Moray Firth’s coast. It is an upright cross slab bearing typical Pictish-style interwoven vine symbols on its edge panels. These were difficult to photograph so I have used the Historic Scotland noticeboard images to supplement the actual photos

Above: The front of the giant stone – a ringed cross

The front face is carved with a great ring-head cross. The shaft, base and background are filled with interlaced decoration. Beneath the base, two figures lean over a smaller figure. Two other attendants wait in the background.

A great battle scene is depicted in four panels on the back of the stone

Each narrow side is intricately decorated with interlace designs, which include spirals of foliage within which small human figures are perched. The reverse of the stone shows a great battle scene – covering four panels. This depicts cavalry, foot soldiers and the beheading of the defeated – the usual savagery of bitter wars…

The historic scope of the stone is considerable. From the arrival of one army in the top panel, to the main battle, and the resulting rout of the defeated in the middle panel, to the fleeing of the fallen army in the bottom panel, something of monumental importance is being shown.

But what?

The artistic style of the carving – a mixture of Pictish, Irish and Northumbrian techniques – suggests that was carved in the 9th or 10th century. This points to three possibilities:

Above: The Historic Scotland board features drawings to make the ancient carving clearer. Here, related work from Pictish Symbol Stones is shown. The first shows the cross-stand on display in nearby Elgin Cathedral. The second shows its reverse: an animated hawking scene.
A bull-head carving from nearby Burghead. The bull symbol was a key element of Burghead’s art and decoration.

One is that the stone commemorates the vanquishing of the Picts by the Scots, under the command of Kenneth MacAlpin, in the mid 9th century. A second is that the stone denotes a confrontation between a local Pictish and Scottish force and marauding Norsemen. This would tie in with the known date of the destruction of the headland settlement and fort at Burghead (see previous post).

The third possibility is the stone depicts a conflict between the Scottish king, Dubh, and the men of Moray. The oral records claimed that the body of the dead king lay beneath the famous bridge at Kinross, a short distance away. This bridge could be the curious arched object carved at the bottom of the battle scene.

There may never be an answer. There is no inscription on the stone and historical data is limited.

Difficult to photograph through the darkened glass, but magnificent.

Historic Scotland has a policy of protecting the larger Pictish stones by this method of enclosure within steel and glass. You can understand the need to do so, but it does make them less accessible. During our scouting visit with Dean, in March, we came across another stone of the ‘Pictish Trail’ just south of Portmahomack, an hour’s drive north of Forres.

Above: During March 2019, while scouting for the the Silent Unicorn weekend, we discovered this beautifully-located Pictish stone – the Shadwick Stone, on the peninsula south of Portmahomac; and close to the former Pictish monastery there.

The description reads:

Shadwick Stone (near Tain)

“A Christian cross has been carved on the seaward face of the slab. Some of the other motifs on this side may be religious symbols. Immediately below the arms of the cross are angels with outspread wings. They are placed about animals which could be interpreted as David’s lions. Then there are snakes and serpents. The designer of this and the other stones in the area were certainly not working alone. They must have known of the Christian decorated manuscripts of Lindisfarne and Iona, as well as the metalwork and sculpture of Pictland, Northumbria and Ireland.”

The front view of the Shadwick Cross – rendered as best I could through the tinted glass

We left Sueno’s Stone feeling that we had only glimpsed the importance of its place in Scotland’s history. Our Saturday – which had begun a long time ago – was taking its toll and people were getting fatigued.

Dean at Logie Steading – a welcome cup of tea… and perhaps an afternoon scone with jam and cream…

Luckily, Dean had arranged a mid-afternoon detour to the wonderful Logie Steading… The old stables of the Logie estate, and a place of craft displays, food stalls and a very nice tea room….

The photos were taking during our scouting visit in March 2019 – hence the lack of resting attendees!

Beyond the refreshments at Logie Steading, we were headed for a location provided at the the last minute by two of our number, Michael and Eva. We had completed our assignments with the Element of Water. Now, we were going to explore the Element of Air in a rather different kind of location…

To be continued…

Other parts in this series

Part One, Part Two, Part Three, Part Four, this is Part Five

©Copyright Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.